In my work, I endeavour to realize the sculptural quality of individual letters, namely the ones that spell out my own moniker Peeta. I break them from their generic typographical form, stylizing them with shape and volume beyond its mere semantic function. Thus my own lettering is brought into the fluidity of the urban, where words are continuously ruptured from their own histories, readapted into idiom and gestures learned off the street. The final result derived from the fusion between traditional lettering and three dimensional style has given life to a unique kind of visual rhythm, created by the intersecting lines between sections of conic, cylindrical and twisting surfaces. The role of sculpture comes to be essential for this purpose. It represents for me a direct contact with three-dimensionality in order to understand the rules of light and shadows and to reproduce them.
Despite the depth of research into technical and formal perfection, the materialness of three-dimensional painting hides a deeply spiritual side. Shades of colour and perceptive tricks are essentially the means to a progressive disclosure of my own personality. They are an implicit intermediary of a precise message — of my will to understand myself and subsequently to describe my ego. The choice to represent and reiterate my own name is already an attempt to paint a self-portrait. My works are aimed at revealing the deceptiveness of human perception, the fallacy of narrow and fixed points of view through visual tricks which, proceeding from the attempt to confer a three-dimensional semblance on a pictorial representation, ultimately reveal their will to deceive.
Peeta, also known as Manuel Di Rita, is a graffiti artist since 1993 currently living in Venice. He is a member of the EAD crew (Padova, Italy), FX and RWK crews (New York City) and has participated, over the years, in jams, festivals and art shows all around the world.
His work explores the potential of sculptural lettering, both in painting and in sculpture.
To build PVC sculptures I utilize a professional 3D design program to create PVC sculpture project. This software allows me to have a 3D view of the sculpture and, at the same time, virtually cut out all the different surfaces of my sculpture and consider them on a 2D plane. In this way, I can perfectly understand shapes and sizes of any material that I choose to build my sculpture. Subsequently, I cut the PVC plates and assemble them together. The last step involves coating the PVC surface with a polyester layer to mask imperfections resulting from the building process and to impart singularity to the structure, rather than a collage of components.
ACRYLIC RESIN AND FIBERGLASS SCULPTURES
Sculptures built by assembling together several acrylic resin and fiberglass shells extracted from handmade PVC moulds.
Bronze sculpture are created using investment casting technique.
Canvases are painted with acrylic colors using mainly brushes and airbrush.